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II. Instrumental notes
The Instrumental movements are also mostly four-part. However, the instrumental movements can have different titles than the chorus sheet music. Reason: Sometimes there are several texts for one melody. In order to be able to play alternately with the organ, the original hymnal keys were almost always used. That's why Bb and Eb voices often have a lot of accidentals, mostly crosses - fittingly;). There are usually both simple voices (for beginners) and demanding voices (for advanced players).
The instrumental notes are also the score - As a rule, the instrumental parts include the choral setting and a bass part with chord details for accompaniment. This can be a bit confusing at the beginning because of the sheer number of lines and notes, but the main advantage is that voices can be changed spontaneously (e.g. the melody during the prelude, then the first overvote as a rule).
Because transposing sight-reading is not an easy thing, be for transposing instruments the instrumental notes not only in C mood, but also in Bb and Eb tuning offered for download.
- C tuning (e.g. piano, guitar, electric bass, organ as well as violins, flutes ...),
- Bb tuning (e.g. tenor saxophones, clarinets, trumpets ...)
- Eb tuning (e.g. alto saxophones ...)
= Text and / or melody are protected by copyright and are therefore not included in the sheet music. For usage and copyright, please refer to the
III. Score and practice aid
The Instrumental notes are at the same time the score.
a) Score structure:
1.Instrumental overruns(top lines):
Are less intended as "stand alone", but more as an interplay that supplements or supports the band / rhythm group - e.g. B. between the first two (e.g. flute & clarinet) and the other two (e.g. alto & tenor saxophone) instrumental over-tuning.
2.Choral setting (middle small 2 lines):
For melody preludes, as a movement alternative or for rehearsing, the choral movement is also given. Upper line = soprano / alto, lower line = tenor / bass. Flag up = soprano / tenor, flag down = alto / bass. The melody voice is marked.
3. Accompaniment(lower lines):
To be accompanied by a Band / rhythm section (usually: piano, guitar, bass, drums) a bass part is always notated with chord symbols, only in exceptional cases a complete piano part - be it because the author is not able to play the piano or because the accompanying instruments are deliberately free. Provide orientation for the rhythmic accompaniment:
- the horizontal positioning of the chord symbols (sic, the author wasn't drunk!)
- the instrumental set (possibly counter-rhythms / accompaniment patterns often in the lower two instrumental parts)
- The music files for the sheet music that are also available for download (especially relevant for drums)
b) Exercise aid:
Simply the appropriate
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